Thursday, May 27, 2010

Pocahaunted @ Kung Fu Necktie on June 15

Yay, super excited for this one. I really dig their new record a lot, though a commenter on Last.fm said "more drone, less surf" or some shit, so what do I know?

Also on the bill, Dark Circles from the LV, Siltbreezers U.S. Girls and Ether Island.

Pocahaunted - All Of Is Of from Not Not Fun on Vimeo.

Saturday, May 8, 2010

Acid Mothers Sunday Vol 25: Tsurubami KFJC May 19 2003

Hey now, a tad early, but for this Mothers' Day edition of Acid Mothers Sunday we have a live set from Tsurubami recorded and aired on May 19 2003 via KFJC. Must have been a treat to see/hear them live, hopefully us East Coasters will get the chance someday. Anyways, the AMT connections are Kawabata on guitar and Hiroshi on guitar and keyboards (I think) with the drumming of Nobuko Emi. Anyways, two long, dark swirling and piercing pieces, apologies for a bit of digital noise here and there.

Here are some words from Kawabata on Tsurubami from the liners of the Do Whatever You
Want...
compilation:

As long as we three have life on this planet the group will continue to exist. Here's a summary of our mission:
According to the theory of Inyo Gogyo, everything that exists in the world can be expressed by Yin and Yang, the two principles. (even computers work in this way). Everything is created from Yin and Yang, and the interactions of the Five Elements - wood, fire, earth, metal, water. The workings of the universe can be understood through a knowledge of the Two Principles and Five Elements. The form of everything on Earth and in the heavens is created by Yin and Yang, while the workings of the world occur through the Five Elements. If we take it that sound is one particle of time, then the energy of sound flows from the deepest past into the far future. And that also suggests that the purpose of ritual and prayer is to recreate the energy that existed at the beginning of the cosmos. Rituals and prayer function to reawaken that which existed at the beginning, to open the doors of this world, and to make that energy flow once more. Through the holy sound of Ohm, can we glimpse the eternal, escape the constraints of time (past, present, and future), and come to meet the Buddha?
For us, Tsurubami is a place of eternal spiritual training, a place where everything must be laid bare. This band itself is the last and greatest stronghold of group existence. I see it as a place where we can experiment with a form of improvised playing based on paranormal communication which has existed since the time of the troubadours.


Yep!

Tsurubami - Live May 19 2003 KFJC

Wednesday, May 5, 2010

Oh Hells Yeah, ANTiSEEN coming back to Philly July 10 2010

Just got an email stating that ANTiSEEN, the only real punk band left (my words, not the email's) are coming back to Hostile City USA, July 10 to play the Troc... I will post details as I get 'em...

Five fucking years without Antiseen in Philly and now two shows in the span of a year. Awwright!

Sunday, April 25, 2010

Dark Sea Dream - Behind The Eyes

Trust Aquarian hipped me to Dark Sea Dream after encountering them at the DC stop of the Yahowha 13 East Coast tour in 2009. I am not sure if he actually said the words "wind tunnel," but that sticks out for some reason. His tales of the band hitting insanely loud peaks, taking the best trance inducing aspects of showgazey stuff with long jams sounded right up my alley for sure, though I didn't get to see them and still haven't... one of these days. Anyways, part of the intrigue was that the Yahowha 13 dudes absolutely loved 'em and Trust said they were zoning out and grooving with the vibes in a most awesome manner... The live recordings and CDr I heard were pretty great, as were the tales of their SXSW domination. And of course the house jams Trust captured with the Dark Sea Dream dudes jamming with Yahowha 13, Janina Angel Bath and Grant Hart! The Prophase Power Boogie Band!

Hopefully those recordings and something new coming this year on Prophase. Also in the hopefully category, an appearance on the often-delayed psych Grateful Dead covers comp I have been putting together. This live jam is from their limited to 100 CDr 2010 SXSW tour CD. Totally reminds me of a bleak(er) Crazy Horse or David Crosby's "Cowboy Movie" (a jam they turned Trust on to, who then laid it on me, definitely a glaring hole in my burnt collection!) on a slow boil. Some depths of Fushitshua vocals and I am on board for sure. The studio (I think) version of the same song from their Harsh Times CDr is longer and has a different mood, and I recommend it as well.


Dark Sea Dream - Behind The Eyes (live)

Monday, April 19, 2010

The Tobacco Man

Watched parts of Redneck Zombies last night, haven't seen it in years. First time I saw it, I was crazy do'sed, blew my mind!! Anyways, this scene still terrifies me and weirds me out... bad vibes!

Sunday, April 18, 2010

Acid Mothers Sunday Vol 24: Zu-Kanka live March 15 2001 Nagoya Japan

I am not sure when or with whom I traded for this one, but I got this in the early 2000s and digitized it around then as well. Not much info to to go on, but a great live recording (soundboard? I have no idea of the lineage, sorry) of a short-lived Makoto Kawabata project featuring Shoji Hano on drums and Koji Shimura on bass.

The sound is jazzy, which makes sense considering Hano's background (Derek Baily, Peter Brotzmann, Nicky Scopelitis), though he also played and toured with High Rise. Similar to Musica Transonic but much less fuzz frenzy and lots more fluid. It sounds improvised as riffs get teased and taken over and under, jamming if you will. And yes, that is the Latino Cool of current Melting Paraiso drummer, Koji Shimura on bass! Definitely a surprise, but some searching reveals he did some time as White Heaven's bass player in the nineties. His playing is bouncy and deft, very different from Nanjo/Musica Transonic's bludgeon bass. Kawabata's playing is very clean, Fender Strat with little effects. Almost funky in parts. They also do a few songs twice, not really sure why on that either. If anyone knows anything more about this, please drop a line. Otherwise, enjoying some of the more trad end of Kawabata's playing with two of Japan's best drummers (though one is playing bass).

Zu-Kanka - Live March 15 2001 Tokuzo Nagoya Japan

Makoto Kawabata - Guitar
Shoji Hano - Drums, Vocals
Koji Shimura - Bass